Experimental Film Director, Writer & Creative Director.
Focusing on philosophical, dystopian, and avant-garde cinema.
A cinematic prosecution of time. Moving beyond conventional narrative, this project materializes the bureaucratic deferral of existence—a visual translation of Kafkaesque nightmare and the Nietzschean dread of the modern industrial soul. By stripping the narrative of dialogue and musical comfort, the viewer is forced to physically endure the erosion of waiting, transforming the screen into an existential purgatory.
A profound cinematic excavation of the AI "Latent Space." Moving beyond the critique of digital deception, this project investigates the very ontology of synthetic existence. Adopting Tarkovsky’s philosophy of sculpting in time, the agonizingly slow takes and heavy silence force the viewer to endure the physical weight of time inside a machine that does not comprehend mortality. The flawless faces that emerge are not reflections of reality, but a Baudrillardian "hyperreality" concealing the absence of an origin.
Inspired by Friedrich Nietzsche's philosophical masterpiece, "Thus Spoke Zarathustra," this avant-garde project serves as a grim cinematic mirror to the contemporary metropolis. It visually dissects the chilling prophecy of the "Last Man"—the ultimate manifestation of spiritual nihilism and cultural decay within the modern crowd. Through an uncompromising experimental lens, the film strips away the romanticism of urban progress to expose the hollow essence of a society trapped in mechanical repetition.
An intense cinematic critique of hyperreality and digital deception. This project explores the blurring lines between authentic human existence and simulated realities, questioning the manufactured narratives that dominate our visual culture. Stripped of superficial cinematic conventions, the film challenges the viewer to dissect the ontology of the image and the systematic production of illusion in the modern world.